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Dashavatar is an evocative eleven-piece series exploring the ten divine incarnations of Lord Vishnu through both traditional and evolutionary perspectives. The central 15×11 painting depicts Vishnu resting on the cosmic serpent SheshNaag within the ocean of Samsara, while ten smaller 5×7 works detail each avatar’s unique mission and progressive evolution.
The sequence begins with Matsya (fish) preserving sacred knowledge through cosmic destruction, followed by Kurma (tortoise) enabling the great cosmic churning, and Varaha (boar) rescuing Earth from submersion. Narasimha (half-human, half-lion) protects the innocent from tyranny, while Vamana establishes safe spaces for humanity. The series continues through the heroic human avatars—Parashurama, Rama, Krishna, and Buddha—each addressing specific moral and spiritual crises. The final avatar, Kalki, represents future divine intervention when righteousness faces its ultimate test.
This remarkable progression traces both spiritual mythology and biological evolution, suggesting ancient wisdom understood consciousness development from aquatic origins to enlightened beings, culminating in humanity’s ultimate spiritual destiny.
Creating this series felt like painting the entire story of existence—from primordial waters to humanity’s spiritual future. Each avatar demanded its own visual language while connecting to Vishnu’s eternal presence at the center. I was struck by how these ancient stories mirror modern evolutionary theory, suggesting our ancestors understood consciousness development long before Darwin. Painting Kalki, the future avatar, challenged me to envision hope beyond current darkness, trusting that righteousness ultimately prevails through divine intervention when human efforts fail.




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